Teacher Guide
Overview
This resource supports teachers to guide students through the Trop Jr short filmmaking process, aligning with the Australian Curriculum Version 9.0 in English, The Arts: Media Arts and General Capabilities. By embedding Trop Jr into your classroom, teachers can foster creativity, collaboration and media literacy as well as meet the following learning goals:
- Develop storytelling and narrative skills.
- Apply film language and technical skills.
- Encourage originality and creative risk-taking.
- Build critical viewing and reflective practices.
Not sure where to start? Read the About Trop Jr section and sign up to our free teacher professional learning session.
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About Trop Jr
Learn more about Australia’s biggest short film competition for young people aged 15 and under.
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Trop Jr Teacher Professional Learning
Join ACTF Education and Trop Fest for a practical professional learning session designed to help teachers confidently embed Trop Jr into their classroom.
The Production Process
By following our detailed production process, with expert tips and advice, students will be able to create their own short film in the classroom.
Getting started
Pre-Production
Production
Post-Production
Criteria and Classroom Assessment
Films submitted to Trop Jr will be judged on the following criteria:
- Originality and Creativity
- Storytelling
- Use of the Trop Jr Signature Item
- Technical Achievement
- Entertainment Valu
We have created handy rubrics to support teachers to embed Trop Jr into their classroom learning. These rubrics are designed to:
- Support teachers to build assessment into their Trop Jr filmmaking unit.
- Provide clear expectations for students at different year levels.
- Support formative and summative assessment of both creative and technical aspects of filmmaking in the classroom.
- Encourage critical thinking, storytelling and media literacy skills aligned with the Australian Curriculum Version 9.0 (English, Media Arts and General Capabilities).
Teacher tip: Share the rubric with students before they begin planning their films. This way students can use the rubric as a planning and self-assessment tool.
Trop Jr Assessment Rubric 5 - 6
Trop Jr Assessment Rubric 7 - 8
Trop Jr Assessment Rubric 9 - 10
Teacher tip: Encourage self-assessment and peer feedback using the rubric throughout the production process.
Australian Curriculum Version 9
Trop Jr provides rich opportunities to address the Australian Curriculum across The Arts: Media Arts, English, and the General Capabilities. In Media Arts, students explore how meaning is created and communicated through screen texts, then apply this knowledge to produce their own short films. In English, they develop skills in storytelling, language choices, and audience awareness, strengthening their ability to craft narratives with purpose and clarity. The process also embeds General Capabilities such as Critical and Creative Thinking, as students collaborate, problem-solve and reflect on ethical and aesthetic decisions.
The curriculum tables below demonstrate how Trop Jr is mapped to Years 5–10 across The Arts: Media Arts, English, and the General Capability of Critical and Creative Thinking.
For an even more in-depth exploration of how Trop Jr offers multidisciplinary connections, teachers are encouraged to refer to the Media Consumers and Creators Curriculum Connection: https://www.australiancurriculum.edu.au/curriculum-information/understand-this-curriculum-connection/media-consumers-and-creators
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Years 5 and 6 |
Years 7 and 8 |
Years 9 and 10 |
How does creating a film for Trop Jr demonstrate this? |
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Exploring and responding
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explore ways that media languages and media technologies are used in media arts works and practices across cultures, times, places and/or other contexts
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investigate the ways that media arts concepts are used in media arts works and practices across cultures, times, places and/or other contexts
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investigate the ways that media artists use media arts concepts to construct representations in media arts works and practices across cultures, times, places and/or other contexts
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Students analyse and apply media languages, technologies, genre conventions, and representational techniques from diverse contexts to communicate meaning, reflect cultural influences, and explore identity or social issues in their own creative work.
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Developing practice and skills |
develop media production skills to communicate ideas, perspectives and/or meaning through manipulation of media languages, including images, sounds, texts and/or interactive elements, and media technologies
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develop media production skills throughout the production process to construct representations using media languages and media technologies
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experiment with ways to construct representations that reflect ideas, perspectives and/or meaning, and/or use of media conventions, media languages and media technologies
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Students develop and apply media production skills throughout the process, manipulating images, sounds, texts, and technologies to construct representations, and experimenting with media languages and conventions to communicate ideas, perspectives, and meaning effectively.
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reflect on their own and others’ media arts works and practices to inform choices they make during the production process
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reflect on their own or others’ media arts works and/or practices to refine and inform choices they make during stages of the production process
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Students reflect on their own and others’ media arts works and practices throughout the production process, using feedback and critical analysis to refine creative and technical choices at each stage.
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Creating and making |
use media languages, media technologies and production processes to construct media arts works that communicate ideas, perspectives and/or meaning for specific audiences
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design and structure media arts works to communicate ideas, perspectives and meaning for an intended audience
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design and structure media arts works that examine and communicate ideas, perspectives and/or meaning
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Students use media languages, technologies, and production processes to design and structure a film that communicates ideas, perspectives, and meaning for a specific audience, and to examine how these choices shape the overall message and impact.
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apply production processes and use media arts concepts to construct representations and produce media arts works that communicate ideas, perspectives and/or meaning for specific audiences using responsible media practice
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apply production processes and use media arts concepts to construct representations and produce media arts works that communicate ideas, perspectives and/or meaning, and confirm or challenge the expectations of specific audiences
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Students apply production processes and media arts concepts to construct representations that communicate ideas and perspectives for specific audiences using responsible media practice, while also considering how their creative choices confirm or challenge audience expectations.
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Presenting and performing |
present media arts works in informal and/or formal settings using responsible media practice
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present media arts works, using responsible media practices and considering potential relationships the work could create with audiences
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present media arts works to audiences and plan approaches for creating relationships with audiences if/when media arts works are distributed in selected personal, community and/or institutional contexts using responsible media practice
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students to present their work in formal and informal settings using responsible media practices, such as including permissions and credits, and planning screenings that consider audience engagement and ethical distribution. Finalist films being screened nationally further shows how students anticipate and manage relationships with audiences, reflecting on how their creative choices influence perceptions and meet professional standards.
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Year 5 |
Year 6 |
Year 7 |
Year 8 |
Year 9 |
Year 10 |
How does creating a film for Trop Jr demonstrate this? |
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Language |
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Language for interacting with others
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understand that language is selected for social contexts and that it helps to signal social roles and relationships
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understand that language varies as levels of formality and social distance increase
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understand how language expresses and creates personal and social identities
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recognise how language shapes relationships and roles
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recognise how language empowers relationships and roles
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understand how language can have inclusive and exclusive social effects, and can empower or disempower people
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Students select and adapt language for different social contexts and levels of formality, use dialogue and communication to express identities and shape relationships, and make deliberate language choices that can include or exclude, empower or disempower, both within the film narrative and during collaborative production.
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understand how to move beyond making bare assertions by taking account of differing ideas or opinions and authoritative sources
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understand the uses of objective and subjective language, and identify bias
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recognise language used to evaluate texts including visual and multimodal texts, and how evaluations of a text can be substantiated by reference to the text and other sources
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understand how layers of meaning can be created when evaluating by using literary devices such as simile and metaphor
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understand how evaluation can be expressed directly and indirectly using devices such as allusion, evocative vocabulary and metaphor
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understand that language used to evaluate, implicitly or explicitly reveals an individual's values
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Students move beyond bare assertions through collaborative discussion and research, apply objective and subjective language in scripts and critiques, substantiate evaluations of visual and multimodal elements with evidence, and layer meaning using literary devices such as metaphor, allusion, and evocative vocabulary, revealing individual and collective values through language choices.
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Text structure and organisation
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describe how spoken, written and multimodal texts use language features and are typically organised into characteristic stages and phases, depending on purposes in texts
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explain how texts across the curriculum are typically organised into characteristic stages and phases depending on purposes, recognising how authors often adapt text structures and language features
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identify and describe how texts are structured differently depending on their purpose and how language features vary in texts
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explain how texts are structured depending on their purpose and how language features vary, recognising that some texts are hybrids that combine different genres or elements of different genres
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examine how authors adapt and subvert text structures and language features by experimenting with spoken, written, visual and multimodal elements, and their combination
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analyse text structures and language features and evaluate their effectiveness in achieving their purpose
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Students plan and organise spoken, written, and multimodal texts such as scripts, storyboards, and edits into characteristic stages and phases for specific purposes, adapt and combine text structures and language features to suit narrative and audience needs, and analyse the effectiveness of these choices when experimenting with hybrid genres and multimodal elements.
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understand how texts can be made cohesive by using the starting point of a sentence or paragraph to give prominence to the message and to guide the reader through the text
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understand that cohesion can be created by the intentional use of repetition, and the use of word associations
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understand that the cohesion of texts relies on devices that signal structure and guide readers, such as overviews and initial and concluding paragraphs
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understand how cohesion in texts is improved by strengthening the internal structure of paragraphs with examples, quotations and substantiation of claims
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investigate a range of cohesive devices that condense information in texts, including nominalisation, and devices that link, expand and develop ideas, including text connectives
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understand how paragraph structure can be varied to create cohesion, and paragraphs and images can be integrated for different purposes
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Students create cohesive scripts and storyboards that guide viewers through the narrative using clear sentence and paragraph structures, repetition and word associations for emphasis, signalling structure with openings and conclusions, strengthening internal cohesion with examples and dialogue, and integrating cohesive devices such as connectives, nominalisation, and visual elements to link and develop ideas across spoken, written, and multimodal components.
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Literature |
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Creating literature |
create and edit literary texts, experimenting with figurative language, storylines, characters and settings from texts students have experienced
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create and edit literary texts that adapt plot structure, characters, settings and/or ideas from texts students have experienced, and experiment with literary devices
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create and edit literary texts that experiment with language features and literary devices encountered in texts
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create and edit literary texts that experiment with language features and literary devices for particular purposes and effects
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create and edit literary texts, that may be a hybrid, that experiment with text structures, language features and literary devices for purposes and audiences
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create and edit literary texts with a sustained “voice”, selecting and adapting text structures, literary devices, and language, auditory and visual features for purposes and audiences
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Students create and edit scripts that experiment with figurative language, plot structures, characters, and settings inspired by texts they have experienced, adapt and combine genres, and sustain a distinctive voice through deliberate choices of language, literary devices, and multimodal features to achieve specific purposes and engage intended audiences.
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Literacy |
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Texts in context
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describe the ways in which a text reflects the time and place in which it was created
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examine texts including media texts that represent ideas and events, and identify how they reflect the context in which they were created
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explain the effect of current technology on reading, creating and responding to texts including media texts
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identify how texts reflect contexts
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analyse how representations of people, places, events and concepts reflect contexts
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create and edit literary texts with a sustained “voice”, selecting and adapting text structures, literary devices, and language, auditory and visual features for purposes and audiences
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Students create and analyse scripts and visual elements that reflect the time, place, and cultural context of their story, explore how media texts represent ideas and events, consider the influence of current technology on production and audience engagement, and make deliberate choices about representations of people, places, and concepts to convey meaning for specific purposes and audiences.
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Interacting with others
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use appropriate interaction skills including paraphrasing and questioning to clarify meaning, make connections to own experience, and present and justify an opinion or idea
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AC9E6LY02
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use interaction skills when discussing and presenting ideas and information including evaluations of the features of spoken texts
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AC9E8LY02
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AC9E9LY02
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AC9E9LY02
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Students to use interaction skills such as paraphrasing, questioning, clarifying, and presenting ideas during collaborative planning and production meetings, adapting levels of formality for different roles and contexts, supporting or challenging interpretations of spoken texts like scripts and storyboards, and analysing how language features in dialogue and performance position audiences, while justifying creative decisions in discussions and presentations.
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Creating texts
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plan, create, edit and publish written and multimodal texts whose purposes may be imaginative, informative and persuasive, developing ideas using visual features, text structure appropriate to the topic and purpose, text connectives, expanded noun groups, specialist and technical vocabulary, and punctuation including dialogue punctuation |
plan, create, edit and publish written and multimodal texts whose purposes may be imaginative, informative and persuasive, using paragraphs, a variety of complex sentences, expanded verb groups, tense, topic-specific and vivid vocabulary, punctuation, spelling and visual features
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plan, create, edit and publish written and multimodal texts, selecting subject matter, and using text structures, language features, literary devices and visual features as appropriate to convey information, ideas and opinions in ways that may be imaginative, reflective, informative, persuasive and/or analytical |
plan, create, edit and publish written and multimodal texts, organising and expanding ideas, and selecting text structures, language features, literary devices and visual features for purposes and audiences in ways that may be imaginative, reflective, informative, persuasive and/or analytical |
plan, create, edit and publish written and multimodal texts, organising, expanding and developing ideas, and selecting text structures, language features, literary devices and multimodal features for purposes and audiences in ways that may be imaginative, reflective, informative, persuasive, analytical and/or critical
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plan, create, edit and publish written and multimodal texts, organising, expanding and developing ideas through experimenting with text structures, language features, literary devices and multimodal features for specific purposes and audiences in ways that may be imaginative, reflective, informative, persuasive, analytical and/or critical
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Students plan, create, edit, and publish multimodal texts such as scripts, storyboards, and final films for imaginative, informative, or persuasive purposes, organising and expanding ideas through appropriate text structures, language features, literary devices, and visual elements, while experimenting with dialogue punctuation, complex sentences, technical vocabulary, and multimodal features to engage specific audiences effectively.
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plan, create, rehearse and deliver spoken and multimodal presentations that include relevant, elaborated ideas, sequencing ideas and using complex sentences, specialist and technical vocabulary, pitch, tone, pace, volume, and visual and digital features
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plan, create, rehearse and deliver spoken and multimodal presentations that include information, arguments and details that develop a theme or idea, organising ideas using precise topic-specific and technical vocabulary, pitch, tone, pace, volume, and visual and digital features
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plan, create, rehearse and deliver presentations for purposes and audiences in ways that may be imaginative, reflective, informative, persuasive and/or analytical, by selecting text structures, language features, literary devices and visual features, and using features of voice including volume, tone, pitch and pace
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plan, create, rehearse and deliver spoken and multimodal presentations for audiences and purposes, selecting language features, literary devices, visual features and features of voice to suit formal or informal situations, and organising and developing ideas in texts in ways that may be imaginative, reflective, informative, persuasive and/or analytical |
plan, create, rehearse and deliver spoken and multimodal presentations for purpose and audience, using language features, literary devices and features of voice such as volume, tone, pitch and pace, and organising, expanding and developing ideas in ways that may be imaginative, reflective, informative, persuasive, analytical and/or critical |
plan, create, rehearse and deliver spoken and multimodal presentations by experimenting with rhetorical devices, and the organisation and development of ideas, to engage audiences for different purposes in ways that may be imaginative, reflective, informative, persuasive, analytical and/or critical
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Students plan, create, rehearse, and deliver spoken and multimodal presentations such as pitch sessions, production meetings, and film screenings, organising and developing ideas with appropriate text structures, language features, and visual elements, while using voice features like pitch, tone, pace, and volume, and experimenting with rhetorical devices to engage audiences for imaginative, informative, persuasive, or analytical purposes.
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Level 4 (Years 5 -6) |
Level 5 (Years 7-8) |
Level 6 (Years 9-10) |
How does creating a film for Trop Jr demonstrate this?
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Inquiring - Identify, process and evaluate information
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identify and examine relevant information and opinion from a range of sources, including visual information and digital sources compare information and opinion that can be verified against claims based on personal preference
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identify and clarify significant information and opinion from a range of sources, including visual information and digital sources evaluate the accuracy, validity and relevance of the information and opinion to the topic of study
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identify and clarify significant information and opinion from a range of sources, including visual information and digital sources evaluate the information selected to determine bias and reliability
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Students research and identify relevant information and opinions from diverse sources, including visual and digital media, compare and verify claims against evidence, clarify significant ideas for their film concept, and evaluate the accuracy, validity, bias, and reliability of information to ensure their narrative and representations are authentic and purposeful.
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Analysing - Interpret concepts and problems
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identify the relevant and significant aspects of a concept or problem, understanding that approaches may change depending on the subject or learning area
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identify the relevant aspects of a concept or problem, recognising gaps or missing elements necessary for understanding by using approaches and strategies suitable for the context
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identify the objective and subjective aspects of a complex concept or problem, with sensitivity to context
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Students identify the relevant and significant aspects of their film concept or problem, adapt approaches depending on the subject or context, recognise gaps or missing elements necessary for understanding during planning and production, and consider both objective and subjective aspects of complex ideas with sensitivity to cultural and audience contexts.
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Analysing - Draw conclusions and provide reasons
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draw conclusions and make choices when completing tasks, using discipline knowledge to provide reasons and evaluate arguments for choices made
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draw conclusions and make choices when completing tasks by connecting evidence from within and across discipline areas to provide reasons and evaluate arguments for choices made
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draw conclusions and make choices when completing tasks, using analysis of complex evidence and arguments before making recommendations
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Students draw conclusions and make creative and technical choices throughout the production process, using discipline knowledge to justify decisions, connecting evidence from research and across learning areas to support arguments, and analysing complex evidence and perspectives before making recommendations for narrative, visual style, and audience engagement.
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Reflecting - Think about thinking (metacognition)
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Level 4 (Years 5-6) identify and reflect on thinking and assumptions when completing activities or drawing conclusions
invite alternative perspectives or feedback in order to improve future outcomes
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reflect on the thinking and processes used when completing activities or drawing conclusions
invite alternative perspectives and feedback, and consider reasonable criticism to adjust thinking and approaches
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reflect on the thinking and processes used when completing activities and drawing conclusions identify possible limitations in their own positions by considering opposing viewpoints, reasonable criticism and feedback
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Students reflect on their thinking and creative processes during planning and production, identify assumptions behind narrative and technical choices, invite alternative perspectives and feedback from peers and mentors to improve outcomes, and consider limitations in their own positions by engaging with opposing viewpoints and reasonable criticism to refine their film.
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